Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

The Blue Series Continuum

  • GoodandEvil Sessions [Thirsty Ear, 2003] A-

Consumer Guide Reviews:

GoodandEvil Sessions [Thirsty Ear, 2003]
Jazz musicians so often try and fail to modernize their rhythms that I wondered what the secret of the latest Matthew Shipp-William Parker collaboration might be. Clever devils--no drummer. All beats electronic, generated by Brooklyn production duo Danny Blume and Chris Kelly, who relax into cunning patterns that leave room for Parker to bend his bass toward an equivalent of the reassuring body groove that jazz folk associate with swing. Only this groove doesn't swing--it's more like techno that realized acid jazz was garbage and went back home to mama. Shipp riffs, hooks, and decorates, leaving theme and cognitively dissonant variation to name trumpeter Roy Campbell and two trombonists, who have most of the fun. Not deep, not intense. But for atmosphere, it hangs on there, and it keeps growing on you. A-