Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Afrika Bambaataa and Family

  • Beware (The Funk Is Everywhere) [Tommy Boy, 1986] B
  • The Light [Capitol, 1988] B

See Also:

Consumer Guide Reviews:

Beware (The Funk Is Everywhere) [Tommy Boy, 1986]
Selected producers cut Bam's electro leanings with the prescribed heavy guitars, and musically this tops the UTFO albums, say. But neither leader nor followers give up the rhythms or reasons of a ranking MC, and I'm grieved to report that only "Kick Out the Jams" overcomes the formlessness of personality his detractors have always charged him with--it's got Bill Laswell all over it. B

The Light [Capitol, 1988]
No kind of sellout, not even a mishmash, just a great DJ trying to reproduce the anything-funky ambience of his parties, go go to reggae to disco to rap. Unfortunately, the ability to hear still ain't the ability to create. On the John Robie-coproduced disco side, "Reckless" (UB40 with dance hook) and "Something He Can Feel" (Nona Hendryx and Boy George back from limbo together for the first time) are pretty great; so's "World Racial War" (Professor Griff please copy) on the Bill Laswell-coproduced funk side. None of them saves the party from approaching mishmash. B