Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Charli XCX: Brat [Atlantic, 2024]
No matter what the gossip sheets are selling, this is not where Scottish-Gujarati-Ugandan beatmaker-in-spite-of-herself XCX buries the figurative hatchet with Irish-Croatian-Kiwi singer-songwriter-if-you-insist Ella Marija Lani Yelich-O'Connor d/b/a Lorde. That hatchet was imaginary, just for show. Instead this is where Charlotte Emma Aitchison d/b/a Charli XCX and also as the one-woman embodiment of everything we mean by "novelty act" arrays a bleeping nosegay of the kind of sound-effect hooks she's been known to apologize for when she was in a bad mood and put her own name or "name" on an album constructed from dance or "dance" tracks whose charm is a beaty artificiality that surpasseth understanding. After all, understanding is a bore. B+