Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Okuté: Okuté [Chulo, 2021]
Shouted declaratively in Spanish by baritone Pedro Francisco Almeida Barriel, Tata to you, and named after the not exactly benign but culturally potent god or life-force former West Africans believed brought them to Cuba, this spare Havana-based ensemble is sometimes said to incorporate the legendary percussionist Machito. Since Machito died in 1984, I'm inclined to suspect this tale culminates a confused fusion between a compliment and a myth. But I guarantee that compared to, for instance, Congo Brazzaville's '80s/'90s Balka Sound, Okuté generates the kind of catchy momentum outsiders like me associate with soukous, albeit with its own unique, slightly choppier groove. A find. A-