Consumer Guide Album

Two Niles: To Sing a Melody: The Violins and Synths of Sudan [Ostinato, 2018]
Not for everybody--in fact, not for me at first. Cheesy synths, honeyed strings, vocals that wailed or ululated more than shouted or crooned--it was all too much. But gradually I came to hear what the extensive notes on this handsomely packaged, moderately priced double-CD gave me a grip on: a fleeting '70s golden era that uplifted a Khartoum postcolonial elite under the thumb of Nasserite music lover Gafaar Muhammad Nimeiry. This was relatively genteel stuff, its steady rhythms devoid of Ali Hassan Kuban Nubian drive. But Zaidan Ibrahim's "Ma Hammak Azabna" is pretty bouncy, Hanan Bulu Bulu's "Alamy Wa Shagiya" pretty girl-group, and people's hero Mohammed Wardi the soul of compassionate yearning and resolve. Problem was, Nimeiry was a politician first like all strongmen, the arty ones included, and as Islamism took root in northern Africa he turned due right. His Sharia-based September Laws of 1983 banned songs about women in a nation where incinerating heaps of cassettes became street entertainment, and in 1989 a military coup sent even Wardi into exile, where a year later he found himself offering a few hours of pleasure to 250,000 asylum-seeking refugees in Ethiopia. B+