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Book Reviews
A Change Is Gonna Come: Brian Ward's
Just My Soul Responding
A Class Act: Roddy Doyle's
The Woman Who Walked Into Doors
A Darker Shade of Noir: Walter Mosley
A New (Rock) Polarity: Simon Reynolds and Joy Press's
The Sex Revolts
A Slender Hope for Salvation: Charles A. Reich:
The Greening of America
Aptitude Adjustment: Nicholas Lemann's
The Big Test
Arthur Kempton: Boogaloo: The Quintessence of American Popular Music
Autobiography of a Pain in the Neck: Meredith Maran's
What It's Like to Live Now
Biztime Stories: Bruce Feiler and Ronin Ro
Black Melting Pot: David B. Coplan,
In Township Tonight!
Bouton Baseball: Jim Bouton's
Ball Four
But Seriously, Folks: Mark Costello and David Foster Wallaces's
Signifying Rappers
Bwana-Acolyte in the Favor Bank: Banning Eyre's
In Griot Time
Christine Stansell's
American Moderns
Combat Rocker: Joe Strummer
Confessions of an Aging Rock Critic: Jon Landau's
It's Too Late to Stop Now
Dave Hickey's
Air Guitar
Defining/Inventing/Exploiting the Folk: Benjamin Filene's
Romancing the Folk
Dialectic Cricket: C.L.R. James
Ed Sanders: The Family
Elvis Presley
Folking Around: David Hajdu's Positively 4th Street
Forward to Greil Marcus's
Stranded
Glossing Big-Tymers: Touré
Great Books of Fire: Jerry Lee Lewis
Growing Up Kept Down: William Finnegan's
Cold New World
History of the Sexual Century: John Heidenry's
Such Wild Ecstasy
In Search of Sam Cooke
In the Crucible of the Party: Charles Keil's
Bright Balkan Morning
Inside Dope: Michael Eric Dyson's
Between God and Gangsta Rap
Inside the Prosex Wars: Nadine Strossen, Joanna Frueh, Laura Kipnis
Inventing Punk: Legs McNeil and Gillian McCain's
Please Kill Me
It's Barely Rock and Roll, But I Like It: Simon Frith's
Sound Effects
Juju Beats: The Rise and Rise of African Music
Just Enough Monkey Business
Lestorian Lit
Living in a Material World: Raymond Williams' Long Revolution
Meaning Collectors: Chris Roberts's
Idle Worship
Michael Eric Tyson: Between God and Gangsta Rap
Mikal Gilmore's
Night Beat
Mind Blower: Marco Vassi
Money Isn't Everything: Fred Goodman's
The Mansion on the Hill
Music for Goniffs: Fredric Dannen's
Hit Men
Musicology: Craig Werner's
Higher Ground
Musicology: Ken Emerson
Musicology: Michaelangelo Matos's
Sign 'O' the Times
Nevermore: Nirvana
Outside Rock and Roll: John F. Szwed and Dave Hickey
P.J. O'Rourke:
Age and Guilt Beat Youth, Innocence, and a Bad Haircut
Philosophy Practice: Livvy Lumpkin's
Deep Design
Pissed Off Voters:
How to Get Stupid White Men Out of Office
Porn Yesterday: Walter Kendrick's
The Secret Museum
Radical Pluralist: Andrew Ross's
No Respect
Ramblin' Man: Coney Island Okie: Woody Guthrie
Raptitude Tests: Hip Hop Moves to the Mainstream
Real Ragtime: Ishmael Reed's
Mumbo Jumbo
Richard Brautigan: Sombrero Fallout
Rock Bios
Rock Critics
Rock Music Is Here to Stay: Joe Carducci's
Rock and the Pop Narcotic
Roddy Doyle's
The Commitments
Salon Bookbag: The History of Pop
Serious Music: Robert Walser's
Running With the Devil
Seven Music Books I Liked in 1996 in Roughly Descending Order
Singing to Live: Helen Kivnick's
Where Is the Way
Slavery Days
Speaking in Palindromes: Bruce Sterling's
Zeitgeist
Sterling Characters: Bruce Sterling's
Holy Fire
Sustainable Romance: Norman Rush's
Mortals
Sustaining Pleasures
That Bad Man, Tough Old Huddie Ledbetter: Charles Wolfe and Kip Lornell's
The Life and Legend of Leadbelly
The First Lady of Song: Billie Holiday
The Inarticulate in Pursuit of the Indescribable: Simon Miller's
The Last Post
The Informer: John Leonard's
When the Kissing Had to Stop
The Little Counterculture That Could: Carol Brightman's
Sweet Chaos
The Old Ethiopians at Home: Ken Emerson's
Doo-Dah!
The Pop-Boho Connection: Bernard Gendron's
Between Montmartre and the Mudd Club
The Wolf I'm Beratin': David Vozar's
Yo! Hungry Wolf
Theory of the Rhythmic Class: Susan McClary's
Feminine Endings
Too Strait Are the Gates of Eden: Morris Dickstein's
Gates of Eden
Twentieth Century Limited: Marshall Berman's
All That Is Solid Melts Into Air
Up From Darien: Charles Keil
What Pretentious White Men Are Good For: Robert Coover's
Gerald's Party
Writing for the People: George Orwell's
1984
You Could Look It Up