WYCLEF JEAN
Masquerade
Columbia

The cameos are way down, actually--last time Kenny Rogers and Whitney Houston, this time M.O.P., whose bark and bite on the standout title track have the unintended side effect of illustrating Wyclef's limitations as an MC. The Brownsville beat-down specialists also underline a thug theme that has never been more prominent. Although, as always, Wyclef warns against the life of crime, he's too concerned with proving he has a right to sermonize, most successfully in the where-I'm-from credo "PJ's"--which is more impressive as autobiography than "What a Night," where he comes to "rule the industry" while helpmates paraphrase the old Four Seasons song. In the past, Wyclef adeptly balanced pop and exotica; here, the Chinese scales and Israeli violin are arresting, the Four Seasons and Tom Jones annoying. And because Wyclef is a bit soft even if hards say so, his attempts to address big issues flop--on a "Knockin' on Heaven's Door" rewrite about the hood and the World Trade Center, an anti-war song that asks, "When will the violence cease?" and, saddest of all, a threnody for his dead dad. Hate to say it, dog, but Mia X did it better.

Rolling Stone, July 4, 2002