Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Rolling Stone
  Video Reviews
  Pazz & Jop
Web Site:
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
CG Search:
Google Search:

Consumer Guide by Review Date: 2017-12-08


Nick Lowe: Quality Street (Yep Roc, 2013) On an album decked with Xmas rarities penned by Roger Miller, Boudleaux Bryant, Roy Wood, and the great trad. arr., the prize selections are Lowe originals ("Christmas at the Airport," "I Was Born in Bethlehem") *

Now That's What I Call 90s Pop (Sony Music Entertainment, 2017) This unusually useful pre-Now lookback--Stateside, the series only began in 1998--means to reinstall 18 four-minute pop songs in your short-term memory. From Will Smith's "Gettin' Jiggy With It" to the New Kids' "Step by Step," with the likes of Boyz II Men, Wreckx-N-Effect, born-againer-in-waiting Montell Jordan, Mad TV fave Bobby Brown, and "Livin' La Vida Loca" on board, the default mode is male-dominated funk-lite broadly defined, with the ambiguous-lite Max Martin classics "...Baby One More Time" and "I Want It That Way" flanking the concept. Cheap nostalgia for thirty-somethings, a refresher course in pop history for the rest of us. Among the missing: "U Can't Touch This," "Jump," "C'Mon 'N Ride It," "The Macarena," and the cheekily non-male "I Kissed a Girl." But so much easier than burning your own. A-

Now That's What I Call Tailgate Anthems (Sony Music Entertainment, 2017) This decades-spanning blunt instrument dispenses with the vaguely heart-warming ecumenical mix-and-match the Now cartel usually makes a pass at. It's segregated by what we'll call culture: first six pop-metal warhorses whose Queen-Bon Jovi-Journey-Kiss-Survivor-Europe titles you can fill in yourself, then seven somewhat less reliable dance-rap bangers, after which sole woman Pink's best-in-show "Get the Party Started" transports us into a three-track country finale that left me wondering how I'd missed Sam Hunt's off-concept "House Party" and concluding once and for all that Jason Aldean is a blander, less macho Luke Bryan. Every single track is broad in the beam, "rock" at its most obvious even if the details are hip-hop or country--rock for jocks. But there are times when the Kiss-Lil Jon continuum is just right for clearing the sinuses or getting you to the next rest stop, and this will definitely do that job. A-

13 Days of Xmas (Bloodshot, 2017) Short on cheer, which doesn't mean love (All Our Exes Live in Texas, "How to Make Gravy"; Ha Ha Tonka, "The List"; Zach Schmidt, "I'm Drunk Again This Christmas") **

Select Review Dates

Get unique date list.

Enter begin date as YYYY-MM-DD:
Enter end date as YYYY-MM-DD: