Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide by Review Date: 2016-10-21

2016-10-21

Jinx Lennon: Magic Bullets of Madness to Uplift the Grief Magnets (Septic Tiger, 2016) There's a musical consistency to this band record, cut with two Liverpudlians from Clinic just across the Irish Sea, that's missing from its companion release. Sung, talked, or sung-talked, Lennon's enunciated vocals turn his brogue, if that's what it even is, into lingua franca, and electronic though the band is, its music is rock, not techno or electropop. Lennon is the rare ranter in whom rage coexists with empathy and alienation with a well-observed life. Examples include "Piranhas of Xmas," in which layaway gifts turn into nightmares, and an equally sad one in the voice of a "10 O'Clock T Break Bollix": "Making smart remarks about people passing by cos I haven't got self-esteem." A-

Jinx Lennon: Past Pupil Stay Sane (Septic Tiger, 2016) Born in 1964 sez Google though he seems younger, rocker-rapper Lennon has been musically active since around 2000, with a Wikipedia stub, a sketchy website, and six plus two albums to show for it. Though live he sometimes favors acoustic guitar, on this hour-long collection he yells, recites, talks, chants, murmurs, and/or sings 23 songs over not just guitar but drum-sounding "beats," bass, electronics, female softening, and quite often trumpet. Lennon's Dundalk hometown is up near the troubled border in his nation's northeast corner, but that's in the past--today's Ireland is embattled enough to keep him busy. Subjects include "Cough Medicine," "70,000 New Jobs," "Don't Let the Phone Calls Annoy You," a "Chinaman in Dundalk Town," and a "Heart Attack in Spain" ("Waiter / Get the defibulator / What do you mean youdon't know where it is sir?"). In "Learn How to Talk to Women," he advises, "Listen to them, be interested." And in "Fireman Meets Samurai Sword" firemen advise, "Let's get out of here alive at the end of each day"--because, like the rapper-rocker sez to the recovering crack addict, "Every Day Above Ground Is a Good Day." A-

L.A. Salami: Dancing With Bad Grammar: The Director's Cut (PIAS America, 2016) Genteelly verbose Anglo-Nigerian singer-strophewriter hangs looser and longer--and a few times meaner, which turns him into a motherfucker ("Loosley on My Mind," "Day to Day [For Six Days a Week]") *

Sleaford Mods: T.C.R. (Rough Trade EP, 2016) The unrelenting futility of life in five unrelentingly tuneless tunes ("Britain Thirst," "I Can Tell") ***

Kate Tempest: Let Them Eat Chaos (Lex, 2016) There are just seven insomniacs awake at 4:18 AM on one South London block, so Tempest rhymes their suffering over music that backs more than it powers, leaving us free to wonder--how are the sleepers doing, anyway? ("We Die," "Breaks") **

Select Review Dates

Get unique date list.

Enter begin date as YYYY-MM-DD:
Enter end date as YYYY-MM-DD: