Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Rolling Stone
  Video Reviews
  Pazz & Jop
Web Site:
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
CG Search:
Google Search:

Consumer Guide by Review Date: 2016-09-30


Dogbrain: Blue Dog (dogbrain, 2016) Wondering why these six slices of slide-guitar Americana cut through with such uncommon truth power, I learned that Jay Ward is a lifelong stutterer who escapes his prison not just by singing but by singing about his prison. Standin' at the edge of a dream gettin' ready to jump, nothing special in itself. Turnin' at the fork in the road, ditto. But "I've got some tales on the tip of my tongue / Gettin' ready to speak"? Now you're talkin'. B+

Drive-By Truckers: American Band (ATO, 2016) In part because the Hood-to-Cooley ratio is back up and in part because they're less relaxed as the Obama Age ends, this superb song collection is raggedier than the last superb song collection. But in recompense it's more explicit and bereaved. Having resettled in Oregon just in time to detail an Umpqua massacre preceded by a victim's nice morning and idyllic weekend, Hood also spends 6:27 in Ferguson and its branches nationwide. Cooley opens with "Ramon Casiano," which minimal Googling makes clear is an assault on the NRA, and soon follows with "Surrender Under Protest," about the actual outcome of that war the starry-eyed say ended at Appomattox. Then there's the finale that begins "I was listening to the radio when they said that you were gone." Gotta be Merle, right? Uh-uh--Robin Williams. It's about mood swings and depression out of control, a somatic heritage Hood tells us he knows firsthand. A

Rhiannon Giddens: Tomorrow Is My Turn (Nonesuch, 2015) Soul-schooling the Americana artsongbook, with Patsy Cline as Mary Wells and Charles Aznavour fooling no one in his Nina Simone disguise ("Last Kind Words," "She's Got You") *

Handsome Family: Unseen (Carrot Top, 2016) In this unpoetically dark time, only the social realism that has never been their style of pessimism seems to truly . . . can I say spark them? they're way too dour to enliven ("Back in My Day," "Gold") ***

The Haymarket Squares: Light It Up (The Haymarket Squares, 2016) Musically clean-cut Phoenix "punkgrass" fixtures lay out the jolly economics of private prisons and swear their favorite cocktail is the Molotov ("High Demand," "Let's Start a Riot") **

Watkins Family Hour: Watkins Family Hour (Thirty Tigers, 2015) Musos with a right enact an Americana songbook that makes room for Lindsey Buckingham and Lee Ving as well as Roger Miller and Robert Earl Keen ("Feelin' Good Again," "Not in Nottingham") ***

Select Review Dates

Get unique date list.

Enter begin date as YYYY-MM-DD:
Enter end date as YYYY-MM-DD: