Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Rolling Stone
  Video Reviews
  Pazz & Jop
Web Site:
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
CG Search:
Google Search:

Consumer Guide by Review Date: 2013-04-26


Wussy: Duo (Shake It, 2013) Assuming these seven new-to-Wussy songs are de facto demos--for sure some and likely most but probably not all will be rocked up on a fifth album that now seems a certainty--we should think about not their acoustic settings but their acerbic subjects. No breakups here. Instead, three of Chuck Cleaver's lyrics address that other Wussy preoccupation, death, which invariably besets the kind of wacked-out and/or mean-ass loser who brains a monkey in the cheerfully entitled exception, "Ring a Ding Ding I'm Rotten Inside," while two of Lisa Walker's address yet another Wussy preoccupation, the failed consolations of religion. So her climactic praisesong to English girls who swim in the North Sea like it's summertime comes as a true relief, with Cleaver's piano tracing a delicate counterpoint. Inspirational Verse: "The Witnesses will all be waiting for the chance to be the first to squeal/As you're going through your souvenirs to help decide what is and isn't real." That's how I hear it, anyway. A-

Wussy: Rigor Mortis (Shake It EP, 2008) I underrated this EP five years ago because, having never seen the band play, I had no inkling of how much I'd end up valuing their live recordings--how much I'd love hearing two perfectly unmatched voices interact in the moment. The up-front redundancy of the title cut is now extended by the reappearance of the live "Rigor Mortis" and the formerly EP-only "Blood and Guts" on the free Berneice Huff mixtape. That said, I always thought the vibraphone-bedizened "Skip" was the choicest EP-only here, "Sweetie" squeaks and whooshes as it rocks out, "Millie Christine" adds a raw declarativeness one of their milder numbers thrives on, and "Airborne" is the finest version of their finest song, which leads their first and finest album. But of course, they're all worth owning. As is this. B+

Select Review Dates

Get unique date list.

Enter begin date as YYYY-MM-DD:
Enter end date as YYYY-MM-DD: