Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Zani Diabate [extended]

  • Zani Diabate and the Super Djata Band [Mango, 1988] A-
  • Tientalaw [Sterns Africa, 2012] ***

See Also:

Consumer Guide Reviews:

Zani Diabate and the Super Djata Band [Mango, 1988]
What jumps out of the speakers isn't the Malian Jimi of the jacket copy but a groove harsher than Zaire's and more ferocious than Senegal's. There's lots of cheesy keyb in the mix; full-repeat call-and-response and mullah harangues stir up the hectic mood. It's on top of all this that you get the guitar, which sings and declaims and shouts out loud instead of just chiming or chattering. I find the hottest soukous relaxing. I put this on to wake up. A-

Zani Diabaté & les Héritiers: Tientalaw [Sterns Africa, 2012]
Underrecorded Malian guitarist's final album goes long on balafon and doesn't corral the singers he deserves ("Soubagaya," "Moussolankolo") ***