Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Singles: The Great New York Singles Scene [ROIR, 1982]
I'd include Lester Bangs's "Let It Blurt" and Stumblebunny's "Tonight," both in a league with "Piss Factory," "Little Johnny Jewel," and "Blank Generation," which open this tape with a bang it never follows up on. But since neither was by a scene-making band, I understand why compiler Tom Goodkind didn't. And since Goodkind led U.S. Ape, I understand why he chose that one, which in truth sounds better than the Mumps, Speedies, and Student Teachers songs that close the thing. In between we get what sounds in retrospect like a lot of primitive art-rock (Theoretical Girls the savviest) and a lot of primitive pop (Nervus Rex the most polished). Although scenes are often better seen than heard, down beneath the greats this one just about earns its document. But it doesn't make you bewail its wasted genius. And where's "No More Nukes"? B+