Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Youssou N'Dour: History [Naïve/Believe, 2019]
Between 1999 and 2010, Nonesuch backed four superb N'Dour studio albums and a worthy live recap, but then his discography got hard to track: seven albums/EPs by my count, the three Senegal-mainlys markedly superior to the Euro-American crossover bids. As sheer output, this speaks well of a mbalax tycoon and sometime pol who'll turn 60 in October. But the international product isn't up to Nonesuch standards--too eager to please for such a titan. This one, on the French indie that just backed Salif Keita's first album in nine years, is shrewder. It's a ballad album--there are tama drums, sure, but none of the hectic clatter that's riled up long-legged male Senegalese dancers everywhere I've seen N'Dour except Carnegie Hall. N'Dour's voice is barely diminished, a slight burr detectable here and there. But he has the grace to share leads on four of 10 tracks: two sampled from long-gone, rough-voiced Afro-crossover pioneer Babatunde Olatungi, another by Swedish-Nigerian youngblood Mohombi, and best in show Swedish-Gambian Seinabo Sey's transformation of N'Dour's historical "Birima" into a contemporary pride song of her own. Nor is that the only N'Dour standard reimagined here. The man has world tour to crush. He's got his head up and he's not screwing around. A-