Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Pistol Annies: Interstate Gospel [RCA, 2018]
Did Miranda Lambert/Ashley Monroe/Angaleena Presley, as the composer credits on 13 of these 14 songs put it, come up with the "Jesus is the bread of life / Without him we're toast" opener or lift it from some rakish evangelist I'm too provincial to know about? I wouldn't rule the evangelist out, because while the writing is every bit as sharp as on their near-perfect 2011 debut, these bad-girl and mad-wife nuggets take sin seriously. "Stop Drop and Roll One" and "Got My Name Changed Back" retain the threesome's signature devil-may-care. But there's a deep sadness in "When I Was His Wife"s been-there-don't-do-that, "Leavers Lullabye"'s love-ain't-enough, "Best Years of My Life"'s "hankering for intellectual emptiness," and the blood, sweat, and bitterness of "5 Acres of Turnips." "Cheyenne" envies a gal who can take love or leave it, "Milkman" wishes Mama had cheated, and "Commissary" is so glad the abuser folks fronted for got beaten to a pulp in jail. Even the steadfastly unharmonious path to enduring matrimony laid out by the closing "This Too Shall Pass" suggests the wisdom of maturity. Why am I not surprised the woman who did herself a favor by shitcanning Blake Shelton didn't pitch in on it? A