Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Jason Isbell and the 400 Unit: The Nashville Sound [Southeastern/Thirty Tigers, 2017]
The Americana pigeonhole sets up rootsy expectations Isbell has too keen a mind for. And though he obviously isn't the only Nashville guy ever to placate his demons with Jack and coke or the only folkie ever beset by night thoughts, neither "country" or "singer-songwriter" suits him either--he's too intellectual for one, too downhome for the other. So 15 years after the Drive-Bys brought in a tenor who could write, 10 years after he quit them while his first wife stayed on, five years after he got sober, and two years after there was a baby on the way, here are some of the words his tenor lets fly. Over the tolling guitars of "White Man's World": "There's no such thing as someone else's war / Your creature comforts aren't the only things worth fighting for." Over the female counterpoint of "If We Were Vampires": "Maybe we'll get 40 years together / But one day I'll be gone, one day you'll be gone." Over the "I Want You (She's So Heavy)" boom of "Anxiety": "Anxiety / How do you always get the best of me? / I'm out here living in a fantasy / I can't enjoy a goddamn thing." A