Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
Books:
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Tom Zé: Vira Lata na Via Láctea [self-released, 2014]
So in 2014, the 78-year-old Zé--he turns 80 October 11--dropped this 50-minute collection even further beneath the radar than Tropicália Lixo Lógico, which at least got a few reviews in English. Coverage has been paltry in substance, spirit, and length as well as entirely in Portuguese; as with the Meridian Brothers only more so, translated lyrics would be such a boon. I did ask my Lusophone nephew to provide an English track listing for an album he renders as A Dog in the Milky Way, an image that adds salt and substance to the assonant V's, L's, and T's of the sounded-out Portuguese. Enticing titles include "Newsstand," "Left, Money and Right," "The Little Woman From theSuburbs," and my favorite, "Pope Pardons Tom Zé." This is the artist's first album in many years to collect songs rather than explore a concept, a good idea on nonverbal evidence that includes the warmth of the vocals, the stickiness of the tunes, and poignant, unpredictable arrangements featuring Sao Paolo rock and circus riffs and Nascimento Veloso and the Philip Glassy background break that starts at 1:43 of "Salva a Humanidade." Zé seems to have rehabbed his vocal chops, and if the pope has his way, there'll be more self-releases. But I can't help suspecting that were I ever to glom the lyrics of this particular sonic construction, it would rise close to the top of one of the most remarkable bodies of work in all of semipop. A-