Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  Expert Witness
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Rolling Stone
  Video Reviews
  Pazz & Jop
Web Site:
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
CG Search:
Google Search:

Consumer Guide Album

The Rough Guide to Highlife [World Music Network, 2012]
Although the label's second pass at this expandable concept tends quirkier and quieter, in-house compiler Rachel Jackson goes for the gut tunewise. From the surprising pre-Afrobeat Fela who opens to the gospel falsetto-as-girl group who close, every song stands out, so much so that Jackson really could have risked Celestine Ukwu's "Osundu" rather than repeating the oft-compiled "Igede." Special faves: the Black Beats' "Tsutsu Tsonemo" for hook, Gentleman Bobby Benson's "Taxi Driver" for lyric, Francis Kenya's "Memia" for guitar compression, and Chief Stephen Osita Osadebe's "Osondi Owendi" for guitar expansion. There's a slight tailoff before the gospel closer, but not so as to spoil your appetite for the bonus disc by the university-based trio Seprewa Kasa. On Riverboat four years ago, I found their preservationism a mite polite. Here the same album provides a graceful, restful, informative coda. A