Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Youssou N'Dour: Nothing's in Vain (Coono du réér) [Nonesuch, 2002]
Missing any metallic mbalax edge as Jean-Philippe Rykiel squished around in the background, I mistook this for a variation on the fusion compromises of N'Dour's Columbia years. In fact it's an acoustic roots move--hardly a conceptual coup, only often they work. As I've said before and will say again, Super Étoile are the best band in the world. But their function on record is to showcase a heroic voice that gains stature from its willingness to serve the band. Here the voice just serves the songs--the melodies are the most fetching of N'Dour's career, and the roots he embraces include a Parisian chanson he floats through trailing accordion and percussion. First time he reached one of those English-language homilies he always founders on, I cringed. But here "so much to do and so much to give today" are words to live by. A