As usual, each critic was asked to select what he or she considered
the ten best records of the past year, but from there on, procedure
varied from that of past polls. For the first time since the inception
of the Critics Poll, multiple point awards for each album (not more
than 30, not less than 5, to add up to a total of 100 were not given;
in the interests of fairness and easier tabulation, each album voted
for by any one critic received from that one critic one point only. If
four critics voted for a particular album, that album received four
points in the final count.
Although it was not insisted on, participants in the poll were
further requested to designate at least one choice of their ten in one
of the six jazz categories or three pop categories; in jazz, Big Band
(BB); Small Group, of less than ten pieces (SG); Piano (P); Vocal (V),
male or female or group; Blues, vocal or instrumental (B); and
Re-issue (R), the Re-issue category being kept separate, for obvious
reasons, in the tabulation. In pop, the categories were Pop Group
(PG), Male Vocal (MV); and Female Vocal (FV). In addition, critics
were asked to elect a Musician of the Year, the Best Composition of
the Year, and the Best Arrangement of the Year, in both musical
divisions.
Eligible albums were those issued between October 1, 1969 and
October 31, 1970. Where ineligible albums were voted for, they are
shown in the critic's individual choice listing but not included in
the tally. In voting for Jazzman of the Year or Pop Musician of the
Year, critics were asked to recognize general achievement within the
same timespan covered by the record poll rules, but not to confine
their attention to recorded activities only.
Critics were also requested to select best instrumentalists in the
jazz and pop fields, voting for one musician in each category. The
classification of Best Producer was added this year for the first
time.
A total of thirty-tree critics from here and abroad participated in
this eighth annual poll. Once again, jazz critics listed "No choices"
in the pop categories, and the pop critics matched them with "No
choices" in jazz categories. Too bad. We have been hoping for some
sort of mutual result to take place each year, and so far nothing has
seemed to crack the barrier. Critics on both sides of the musical
divide profess interest in what's going on across the way, but when
push comes to shove, no one seems to want to express his interest on
his Critics Poll ballot.