Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Creed

  • Human Clay [Wind-Up, 1999] C

Consumer Guide Reviews:

Human Clay [Wind-Up, 1999]
In the year rock died again, what should come storming back but metal--d/b/a "hard" or "loud" rock and, as Syracuse demonstrated, uglier than ever. Yet these God-fearing grunge babies sound falser than rape-inciting Limp Bizkit, abuse-tripping Static-X, party animals Buckcherry, or even world-dance Days of the New. Because their songs address universals, they don't debase women, a plus. But their spirituality is as sodden as their sonics. I mean, it's not as if familial oppression isn't real. It's the main thing that turns the hard and loud into truth-seekers and revenge-seekers both. So after years of Marilyn Manson lies, young bands seem to have found a psychic space where such themes open up the musical imagination. By contrast, these guys are still in denial, bellowing regressive circumlocutions to drown out the truth inside. Which is what? Maybe lust. C