Robert Christgau: Dean of American Rock Critics

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Lil Dicky

  • Professional Rapper [Lil Dicky, 2015] A-

Consumer Guide Reviews:

Professional Rapper [Lil Dicky, 2015]
Two major negatives: David Burd has zero-to-crap politics despite the liberal parents who wish he'd stuck with the ad agency, as documented by "Oh Well," and he can't sing, as documented by many assiduously Auto-Tuned singsongs. But that's the way most rappers sing, and he has learned to rap, as documented by how deftly this born comedian holds his own against Snoop Dogg in the opener, pitching hip-hop's underexploited little-bitch market with rhymes of true wit, speed, articulation, and rhythmic panache. As a born comedian, he of course risks offending, but there's plenty of cultural resonance on this double-disc official debut, especially as regards sex, about which it is detailed and proudly self-deprecating. As Lil Dicky's rap career progresses along with the album's narrative, the word "girl" fades as "bitch" asserts itself, and I believe he knows it, though not that he regards "woman" as an alternative. But he never gets to "hoe," and throughout there are individual females in the relationships he details so loquaciously. "White Crime" is borderline offensive, "$ave Dat Money" no-holds-barred cheap. His parents' cameos are no-holds-barred droll. His reflections on the contradictions of his career path are smarter than he'll ever get credit for. A-