Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Joe Higgs

  • Triumph [Alligator, 1985] A-
  • Family [Shanachie, 1988] B+

See Also:

Consumer Guide Reviews:

Triumph [Alligator, 1985]
The ska pioneer and fourth Wailer is one of reggae's most respected writers of songs and singers of harmonies. He's been around too long to have much use for millenarian cant, and he's too honest to play the romantic stud--he sings about love because he needs it soul and body in the ghetto where he figures to spend the rest of his days, and at forty-five he feels like he's got a lot of days ahead of him. His weathered voice and reassuringly deep and unpredictable backup also articulate the way he understands the world. I know of no Jamaican whose sensibility is more accessible to ordinary American music lovers of a certain age. A-

Family [Shanachie, 1988]
In a chronically undifferentiated music, subtlety can be a curse, and though I've gotten to know every song here and have no trouble admiring most, I wish Higgs had rehired the musicians who backed Triumph three years ago. It's my guess--and with subtlety you have to guess some--that the likes of Chinna Smith, Wire Lindo, and Augustus Pablo made the difference between an acknowledged classic and an obscure near thing. B+