Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Gabriel Teodros

  • Lovework [MassLine, 2007]  

Consumer Guide Reviews:

Lovework [MassLine, 2007]
"We rock shows, mostly white folks come out," acknowledges twenty-six-year-old Gabriel Teodros toward the end of his solo debut. It's a typical ploy for the Seattle rapper, at once situating him in the underground and, by its candor, raising him a little above it. Teodros pumps a quiet flow over producer Amos Miller's keyboard-based beats--think Toronto's K-Os, only deeper and more swinging. He's conscious, diligently pro-woman, even slipping into the lamentably uncolloquial word-cluster "greed, homophobia, and sexism" (he's against 'em). But because he's an Ethiopian immigrant, his Afrocentric politics take on a compelling extra measure of knowledge and entitlement--especially, no surprise, on the geopolitically detailed "East Afrika" and the respecfully un-Rastafarian "In This Together." Teodros has brains, musicality, and a refreshing attitude. It's such a relief to encounter an alt-rapper who never once whines about his anxiety or wallows in his disempowerment. [Rolling Stone: 3.5]  

See Also