Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

The Manhattan Transfer

  • Coming Out [Atlantic, 1976] B

Consumer Guide Reviews:

Coming Out [Atlantic, 1976]
As the memory of the way they demean their material onstage fades, I find I can admire and even enjoy their second album. The scatter-shot eclecticism of the first LP has been aimed--especially on side one, which I much prefer--at the kind of novelty tunes, rock and non-rock, that everyone who listened to pre-Beatles radio loved. The anonymity of the oldies Tim Hauser here unearths--it took me weeks to remember that Roy Hamilton (he of "Unchained Melody") came back with "Don't Let Go," I still can't place "Zindy Lou," and even the Motown remake is from Kim Weston--makes a case for the theory that pop music is a delightful but essentially inexpressive industrial product. But the newer songs, several of which are inexpressive only in spite of themselves, destroy the illusion. B

Further Notes:

Everything Rocks and Nothing Ever Dies [1990s]