Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Richard Lloyd

  • Alchemy [Elektra, 1979] B+
  • Field of Fire [Mistiur, 1985] B+

Consumer Guide Reviews:

Alchemy [Elektra, 1979]
Lloyd really has his pop down, and this record never fails to cheer me when it comes on--the songwriting and guitar textures are consistently tuneful and affecting. I don't mind that he always sings off-key, either--part of the charm of his pop is how loose it is. But the voice is so wacked-out that even if you'd never seen Lloyd lurching around a stage or matching magic with Tom Verlaine you'd sense that where for the Shoes or the Beat teen romance is a formal stricture, for him it's an evasion--he's just not telling us what he knows. B+

Field of Fire [Mistiur, 1985]
In crucial ways he predates punk, and formally this is more Warren Zevon or Tom Petty than Tom Verlaine. What makes it go isn't songwriting--please, kids, never ever rhyme "fire" and "funeral pyre." It's Lloyd's concentration, plus of course his guitar, which I'll take over Mike Campbell's or even Waddy Wachtel's nine tries out of ten. B+