Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Garland Jeffreys: Escape Artist [Epic, 1981]
After four years of having been, Jeffreys makes like a macher. With Roy Bittan playing the colorist, Garland's affinities with Uncle Bruce are suddenly obvious, and with Big Youth and Linton Kwesi Johnson on counterpoint his reggae ties have never been firmer. "Modern Lovers," his basic theme, is one he knows more intimately than, let us say, Hall & Oates, but my two faves break the mood: "Jump Jump," his greatest name-dropping song and an anthem for rock critics everywhere, and "Miami Beach," Dennis Bovell-produced American dub that's too strong musically and politically to relegate to a bonus EP. Jeffrey's weakness for doggerel sticks out when he's writing this well, and the Springsteen connection reminds me that Ghost Writer's static rhythms cut into its durability. But this man should be given the keys to every city whose streets he walks--ours first. B+