Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Low Cut Connie: Art Dealers [Contender, 2023]
A tireless entertainer with matchless chops and a sense of humor so acerbic it isn't funny, Adam Weiner is a high-IQ frontman perfectly capable of writing with more subtlety than he sings with. So even if you give this very post-pandemic album the close attention it deserves, you still may not notice some of the nuances of its gibes, plaints, protests, outcries, and observations. Having identified as a "song and dance man" up front, by the time Weiner showcases a title track he only gets around to as the album approaches a tuckered-out finale he's still trying to come to terms with the middlemen he calls the art dealers--the "dead on their feet" bizzers who "don't live here no more." "Who's gonna listen to my song after everyone is gone?" he wonders. "I feel like a garbage man who's lost his wedding ring," he confesses. Then it's on to the next gig. A-