Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Kasai Allstars: Black Ants Always Fly Together, One Bangle Makes No Sound [Crammed Discs, 2021]
Not so much a group as a conceptual collective in which musicians from Congo's Kasai province, well east of the former Zaire's soukous central in Kinshasa and its gorgeous, flowing, guitaristic groove, have grouped and changed around in five Belgium-fabricated albums since 2007, all more jagged and jumpy than anything dreamt of in Rochereau's philosophy. But the masterminds who conceive these releases do like to mix things up. Where in 2017, Around Felicité included a bonus disc and some Ärvo Part parts, its successor gestures back toward jumpy Congotronics thumb-piano electrobuzz without altogether abandoning Around Felicité's soundtrack aspirations. Try for instance the rather lovely track two, "Olooh, a War Dance for Peace," which the notes inform us is just that: the dancers carry rather than brandish their weapons. Followed by the groovier and more guitaristic "Musungu Elongo Paints His Face White to Scare Small Children." After which comes "Like a Dry Leaf on a Tree," where a street child is the dry leaf and deserves our succor. Repays attention, this album. A-