Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Asleep at the Wheel: Half a Hundred Years [Bismeaux, 2021]
After a 1971 debut I admiringly dubbed subversive, Ray Benson's unprecedented nuevo Western swing band succumbed to twin deficits in songwriting and vocal pizzazz and became merely rather than ironically generic--until, that is, Benson inveigled the highly inveiglable Willie Nelson to join in on a bunch of Western swing classics selected by none other than Jerry Wexler that surfaced in 2009 as Willie and the Wheel, AATW's best album ever including their 2014 live best-of. Then they once again sunk from the view of all but their loyal fanbase and the Austin Better Business Bureau. But no more. Starting with a relaxed Benson title tune that neatly encapsulates their five decades on the road, this new one immediately switches gears into an obscure Jimmy Rushing number called "The Same Old South," written by an NYC songwriter later blacklisted by the House Un-American Activities Committee: "It's a regular children's heaven/Where they don't start to work till they're seven," and also "Let the Northerners keep Niagara/We'll stick to our Southern pellagra." There's also a "Paycheck to Paycheck" as self-explanatory as any union organizer could hope. Both add decisive tone to an album that also features George Strait, Lee Ann Womack, Lyle Lovett, Emmylou Harris, Johnny Gimble, and none other than Willie Nelson. A-