Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Kacey Musgraves: Golden Hour [MCA Nashville, 2018]
Product of Nashville though it may be, this is a pop record straight up, marked throughout by song-doctoring overseers Daniel Tashian and Ian Fitchuk, who score cowrites on most tracks, play keyboards, drums, and such on every one, and go all but unnamed in its raft of raves. I mean "pop" as an observation, not a criticism. Tashian's modest piano parts complement Musgraves's delicate soprano and positive mood more subtly than any pedal steel could; the sound-setting "Slow Burn," about taking all night, and the LSD-fueled "Mother," about "bursting with empathy" as you miss her and miss her some more, are triumphs of the pop imagination by any measure. So in the rock era's biggest yet quietest year of the woman to date, this team has figured out how to make quiet sell. If its quiet never breaks on through to the other side, that's not only deliberate but one reason so many are raving and buying. But it's also why I'm not altogether sold myself. B+