Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

Consumer Guide Album

Tropicália: A Brazilian Revolution in Sound [Soul Jazz, 2006]
Ideologically Brazilian though it was, the style Gil, Veloso & Associates devised in the late '60s was not a groove music. Brought forth by classical and avant-garde trainees who loved "Strawberry Fields Forever" and had a full-on right-wing dictatorship to subvert, tropicália anthologizes awkwardly, especially for non-Lusophones. So at first this lavishly annotated, ecstatically reviewed disc seems to jump around too much, in the arch art-pop manner of Os Mutantes, who get six of its 20 tracks. But relisten some and it takes on the inevitability of a song cycle--Sgt. Pepper's Lonely Hearts Club Band, for instance. The beats roll and rock even as the groove stops and starts; the melodies leap over the language barrier even though trots would be nice. Occasionally, the singers break into English, or in the case of Tom Zé's "Jimmy Renda-Se," toward English--did he say "Billie Holly hollyflex"? The verve is as audibly miraculous as that of any certified Anglo-American acid prophet, more here than on Hip-O's 1999 Tropicália Essentials (which does, however, provide trots). A-