Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
Venues:
  Noisey
CG Search:
Google Search:
Twitter:

Consumer Guide by Review Date: 2018-02-02

2018-02-02

Nona Hendryx & Gary Lucas: The World of Captain Beefheart (KFW, 2017) Although avant-guitarist Lucas accompanied and eventually managed Don Van Vliet during his mercurial 1978-1982 second coming, to reimagine him with post-soul artiste Hendryx he leans on Beefheart's blues-besotted youth. Ten of these dozen selections are from 1972 or before, and the two from 1967's Safe as Milk you may not believe are Beefheart at all--the Delta-as-desert "Sure 'Nuff Yes I Do" and "I'm Glad," a doowop torch song the captain wasn't tender enough to nail himself. Gentle ain't exactly Hendryx's default mode either, but she knows how to fake it, then switches smoothly into the jagged "Smithsonian Institute Blues." On the whole, the album cants sensuous, Latinizing Beefheart's jagged groove--before climaxing with the nutso "Tropical Hot Dog Night," which remains as much fun as two flamingos in a fruit fight. A-

Van Morrison: Versatile (Exile/Legacy, 2017) Introducing the concept and smoking his other five other copyrights with a jauntily repetitive original called "Broken Record," he proves his mature mettle by covering the great American songbook with more panache than Linda Ronstadt if not Joni Mitchell ("They Can't Take That Away From Me," "Makin' Whoopee") ***

The Rolling Stones: On Air (Deluxe Edition) (Polydor/Abkco/Rolling Stones, 2017) Exploiting the surprise sales spike of their 2016 Christmas album Blue & Lonesome, their 2017 Christmas album purportedly revisits the band's early-'60s blues beginnings, which in fact were no such thing. Chuck Berry, who wrote six of these songs, was not a blues artist, and neither was Bo Diddley, who gets three including the previously bootleg-only "Cops and Robbers" playlet (theirs is fine, Bo's better). Billed "R&B" as they started playing out in 1963, the Stones were catchier and quicker than blues, and on these 32 radio transcriptions they sound like the premier bar band of their time if not ever. Where Blue & Lonesome is a sodden thing--many old rockers have recorded sharper, spunkier, wiser music--this collection proves what world-beaters they were even before they got serious about songwriting. True, the unperfected "Satisfaction" some hedger stuck in sounds pretty good--how could it not? But "2120 Michigan Avenue," the instrumental they concocted to celebrate recording at Chess, is the closer because it oughta be. A-

Peter Stampfel and the Atomic Meta Pagans: The Cambrian Explosion (MRI, 2017) Polyphony spins dizzily awry as fearless leader plus ad hoc nonet reel off protest songs, pop standards, banjo improvs, nursery rhymes, etc. ("This Is My Country," "Blue Moon," "Cumberland Mountain Deer Chase") ***

Frank Zappa: Zappatite: Frank Zappa's Tastiest Tracks (Zappa, 2016) Pop being beyond him emotionally, the anal guitar virtuoso applies his high IQ to satire ("Trouble Every Day," "Valley Girl," "Don't Eat the Yellow Snow") **

Select Review Dates

Get unique date list.

Enter begin date as YYYY-MM-DD:
Enter end date as YYYY-MM-DD: