Robert Christgau: Dean of American Rock Critics

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The Bridge: A Tribute to Neil Young [Caroline, 1989]
The boho life certainly is rife with irony--having started out as punks, various avant-garagists find themselves paying respects to Johnny Rotten's favorite hippie. Less ironic is that Young and Rotten got rich and they didn't, which is partly the times, but also partly that they have less to say. They parody, they imitate, they cover, sometimes two or three at once, not because they're complex but because they've never figured out what they're doing. In contrast, Victoria Williams and Henry Kaiser, who started out as music nuts, seize their good songs. And Sonic Youth, who may get rich yet, seize a catchy piece of junk. B