Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Bruce Springsteen: Springsteen on Broadway [Columbia, 2018]
Always averse to shelling out major bucks for a Broadway show, me and my gal were happy to catch this one on Netflix--in two sittings, true, but when I streamed the audio version a month or two later I found myself listening with minimal zone-out for two-and-a-half hours straight. So I bought the budget-priced double CD, and though it was a while before I felt like sticking disc one in the changer, just a few minutes passed before I added disc two and listened through yet again. Never big on extended spoken-word material or solo-acoustic remakes of exalted songbooks, I'm impressed. The Springsteen this most recalls isn't like any earlier album but the 2016 autobiography he called Born to Run for better reasons than you might imagine. Like that fast-reading 508-pager, its aim is to simultaneously depict and demythologize the Jersey shore and poke major holes in an authenticity it reconceives at a truer level of complexity--on his first cross-country car trip, the guy who would soon write "Racing in the Street" had to learn to drive from scratch when the guy who was supposed to ride shotgun disappeared in Tennessee. Like the book, this ends where it begins--at the huge old copper beech tree that anchored his childhood, except that since he last visited the county has cut it to the street. Springsteen being Springsteen, he swears "some essential piece of it was still there"--and being Springsteen, convinces you that that's his truth even if it isn't your kind of thing. A