Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Mitski: Be the Cowboy [Dead Oceans, 2018]
Fourteen structurally cunning, melodically engaging, verbally coherent songs that for a compact 33 minutes address romantic angst from a disquieting angle. When women dig into their love lives men usually come out the bad guys, as they should, because men mistreat and undervalue the women they're with much more than vice versa. But the few times the singer tries to reconnect with an unattainable ex she blames the disconnect on herself because she made the approach, and more often she's the unattainable one and wishes she wasn't. The lead "Geyser" hints that the culprit is the music she's hung up on instead, and in "Remember My Name" that becomes explicit: "I gave too much of my heart tonight/Can you come to where I'm staying and make some extra love/That I can save till tomorrow's show?" But her loneliness is so ingrained that it's just as likely she got stuck on music because human love felt beyond her to begin with. That's why she's so disquieting, and so original. But by definition it doesn't make her more lovable. A-