Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Paul Simon: In the Blue Light [Legacy, 2018]
To mark his retirement from songwriting and spice up his farewell tour, the 76-year-old generates a new album from old material--not great hits, just songs he feels he got wrong somehow. Oddly, while six of the 10 selections are singletons going back to 1973, the other four are from 2000's You're the One, where I remain unconverted to "Love" and "The Teacher" and am glad to have "Darling Lorraine" and "Pigs, Sheep and Wolves" on an album I might play again. Never a knockout singer, Simon has arrived at a creaky boyishness that serves him well on arrangements that cant both jazz and chamber while barely hinting at his many shades of folk-rock, including what he's always been too smart to call "world." For me the prizes are "One Man's Ceiling Is Another Man's Floor" from 1973 and "René and Georgette Magritte After the War" from 1990, small masterpieces I'd never recognized as such. But his 21st-century prizes remain 2010's So Beautiful or So What and 2016's Stranger to Stranger. Hear those first. A-