Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Rolling Stone
  Video Reviews
  Pazz & Jop
Web Site:
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
CG Search:
Google Search:

Consumer Guide Album

Perfume Genius: No Shape [Matador, 2017]
Title notwithstanding, the most revealing of the many things Mike Hadreas has said about his fourth album concerns the melodies he took it upon himself to fashion first: "I made sure they had a chorus and a bridge--all the things I have never done before because they felt like work." A gay man avowedly uncomfortable in his own body, with the Crohn's disease, erotic asphyxiation fixation, and abated addictions to prove it, Hadreas insisted listeners come to him on 2014's strong-willed Too Bright. But here his music meets the rest of us more than halfway. By all means enjoy how the first three tracks all start with a tease before breaking out the rockets' red glare. I prefer "Just Like Love," where a preteen comes out in front of the social media mirror, to "Slip Away," with its risk-drunk "If you never see 'em coming / You'll never have to hide." But in both cases the music testifies that for hypersensitives like Hadreas boldness is always an achievement worth melodizing about. It bids for solidarity and deserves it. A-