Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Rolling Stone
  Video Reviews
  Pazz & Jop
Web Site:
  Site Map
  What's New?
Carola Dibbell:
  Carola's Website
CG Search:
Google Search:

Consumer Guide Album

Wussy: What Heaven Is Like [Shake It, 2018]
I was struck when the recently revived shoegaze "genre" came up in discussions of Wussy's seventh official album, because it evoked the only track of theirs I've ever disliked: the ethereal remake of the 2008 rock-with-xylophone?? EP track "Skip," where Lisa's deepened soprano whispers a lyric too fuzzy for a band whose turns of phrase pack colloquial bite even when literal meanings are gummy. The guitars tend more immersive than the echoing arena-rock of Attica! and Forever Sounds, proving that Yo La Tengo isn't the only great band addressing politics too painful to ignore by getting weirder. In the end, the intent is neither ambient nor calming, just dreamier than I'd prefer. So I'm glad I have no trouble attaching social significance to an opener that begins "Don't you wish you could have been an astronaut / Back when astronauts had more appeal," or to Chuck's pure-punk cover "There's Aliens in Our Midst." For we who believe heaven means achieving maximum humanity on the only planet we'll ever know, that's the way it feels now. A-