Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Arca: Entranas [self-released, 2016]
Translates Entrails. Streamable at Soundcloud, downloadable at Mediafire. Divides 25 minutes into 14 untimed titles I estimate as breaking 0:00, 0:48, 2:40, 3:58; 4:29, 5:06, 5:28, 6:15-6:48, 10:38, 13:10, 13:50, 15:24, ???, 20:49, 24:10, and damn right I could be wrong, although not about 5:28. Since Alejandro Ghersi once took a class from me, discretion suggested that I respectfully note the existence of this unballyhooed abstract work from a sonic universe I seldom sample and leave it at that. But as has happened before with Arca, who's too big a deal to need my belated attention, I enjoyed its sounds too much not to say so--the lowing of "Torero," the booming of "Cement Garden Interlude," the preindustrial clatter of "Pargo." I also enjoyed Micachu's reflections on gender identity in 5:28's "Baby Doll." To simulate closure, however, it relies on the kind of choirboy soprano that's signified transcendence, spirituality, and other such rot since there were castrati who were known as such, and as ever I'm unconvinced. A-