Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

M.I.A.: AIM [Interscope, 2016]
Nothing has made me happier in this horrendous moment than Maya Arulpragasam's loopy, simplistic fifth album. Fuck you if you think it's "lightweight" or "confusing" or "aimless" or "ho-hum"--it's the hard-earned proof of the happiness she's achieved after years of fretting about the asinine shaming of 2010's excellent Maya for the crime of following Kala, which was only the greatest album of the century. As no one notices, her sonorities, scales, and tune banks have never been more Asian--mostly East Asian, especially up top, although I'm partial to the uncredited oud-I-think on "Ali r u ok." That's one more signal of the self-acceptance enjoyed by this refugee on an album she says is about refugees, as is her damn right as someone who migrated/fled from London to Sri Lanka to India back to Sri Lanka back to London to--after absurd bureaucratic hoohah--the USA. Never a convincing intellectual, she makes a point of keeping these lyrics beyond basic--declaring "we" a trope, jumping on the byword "jump," riffing on every stupid bird rhyme she can think of. The recommended non-"deluxe" 12-track version ends with one called "Survivor," which like it or not she is. "Men are good, men are bad/And the war is never over," she notes. "Survivor, survivor/Who said it was easy?/Survivor, survivor/They can never stop we." Takeaway: bad shit being her heritage, she intends to enjoy herself however bad the shit gets, and so should we. A