Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Omar Souleyman: Highway to Hassake [Sublime Frequencies, 2007]
Souleyman's four Sublime Frequencies albums are similar enough to confuse the lay listener, especially one wary of letting backstory get in the way of the music itself. I tell myself I prefer 2011's Haflat Gharbia because it cherrypicks the non-Syrian performances of a shrewd guy who was by then a world traveler, but I'll never know for sure because it's also the first one I heard, an accident that can sway anyone's judgment. After many tries, I'm pretty sure this is my number two, so I was pleased to learn that it was the first best-of Mark Gergis sorted out for him. I'll also point out that although I fell for the breakneck pace of Haflat Gharbia, here the slow stuff is a respite. Since the subtitle is "Folk and Pop Sounds of Syria," it would seem possible that the slow equals the folk. But Gergis's useful notes make no such distinction. A-