Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Jill Scott: The Real Thing [Hidden Beach, 2007]
The Aretha analogy here is her weight. The front cover has her looking dusky and curvacious, spring coat over medium decolletage; on the back she's sitting on the floor all pensive with an open composition book covering her bosom. In neither does she fake skinny, and that is as it should be. At the very least, "real thing" means something for once. Through almost as many producers as Mary, this album has a single identity, a contour and a groove that suits its well-inhabited breakup concept. There's plenty of sex before and after, and the sex has content. I don't mean emotional content, either, though I have faith the emotion is there. In her timbre, her phrasing and the words she writes in that composition book, Scott is someone for whom sex is about physical pleasure--not athletic ability, boundary transgression, novelty or dominance and submission. A-